Foundation Paper Piecing Star Blocks: Quilting for Boston Tribute

These colorful foundation paper pieced star blocks were originally created as part of the quilting community's response to the 2013 Quilts for Boston project.

Quilter Cath Hall of Wombat Quilts made two star blocks using designs from Elizabeth's Lucky Stars Block of the Month, combining precise foundation paper piecing with the blue, yellow, gray and white palette requested for the Boston charity quilts.

Today, the original charity collection is long closed, but the blocks remain a useful example of how foundation paper piecing can produce accurate star points, complex geometric sections and striking scrap-friendly quilt blocks.

This updated guide preserves the history of Cath's project while adding beginner-friendly paper piecing tips, fabric-planning advice, troubleshooting and ideas for using similar star blocks in modern quilting projects.

Quilting for Boston Project at a Glance

Featured Project	Foundation Paper Pieced Star Blocks
Original Maker	Cath Hall / Wombat Quilts
Star Pattern Series	Lucky Stars Block of the Month
Original Designer	Elizabeth / Don't Call Me Betsy
Main Technique	Foundation Paper Piecing (FPP)
Historical Color Palette	Blue, yellow, gray and white
Historical Boston Block Requirement	12½" tall × any width
Original Charity Deadline	May 24, 2013 — now closed
Lucky Stars Pattern Status	Originally a paid Block of the Month series
Source Checked	October 2026

Historical Project Note

Quilts for Boston was a 2013 community project with a May 24, 2013 submission deadline. This article preserves the quilting history and paper-piecing inspiration; it is not a current call for donated blocks.

The Story Behind Quilts for Boston

In 2013, the Boston Modern Quilt Guild asked quilters to contribute machine-pieced blocks that could be assembled into quilts for people affected by the Boston Marathon bombing and subsequent events.

The guild selected colors associated with the Boston Marathon: blue, yellow, gray and white.

Blocks needed to measure approximately 12½ inches tall, while the width could vary.

Quilters across the modern quilting community responded with traditional, improvisational and paper-pieced designs.

Cath Hall's Paper Pieced Star Blocks

Cath Hall of Wombat Quilts chose two star designs from the Lucky Stars Block of the Month series.

Her first Boston block used the practice design supplied when the Lucky Stars program began.

That star was constructed from eight triangular paper-pieced sections, giving plenty of opportunities to experiment with the placement of blue, yellow, gray and white fabrics.

The second star was a simpler Lucky Stars design constructed from four main sections.

Together, the two blocks demonstrate how foundation paper piecing can be used for both highly segmented stars and quicker geometric designs.

About the Lucky Stars Block of the Month

Elizabeth of Don't Call Me Betsy introduced the Lucky Stars Block of the Month for 2013 as a series of foundation paper pieced star designs.

Subscribers originally received a new PDF block each month with detailed piecing instructions and templates.

The series included templates for both 6-inch and 12-inch finished blocks.

Lucky Stars was a paid Block of the Month program rather than a free pattern collection.

Pattern Availability

The Lucky Stars designs were originally sold as part of Elizabeth's Block of the Month series. We have not verified a current official free download for the exact star patterns Cath used, so this guide does not reproduce their templates or cutting diagrams.

What Is Foundation Paper Piecing?

Foundation Paper Piecing, often abbreviated as FPP, is a quilting technique in which fabric pieces are sewn directly onto a printed paper foundation.

The printed lines control the final shape and angle of each fabric piece, allowing quilters to create very sharp points and complicated geometry with greater accuracy than many traditional piecing methods.

Why FPP Works So Well for Star Blocks

Star blocks often contain narrow points and unusual angles.

With traditional piecing, small cutting or seam errors can affect the final intersection.

Paper piecing provides a fixed sewing line, helping each star point maintain the intended angle.

This is especially useful when multiple triangular sections must meet around a central point.

Basic Supplies for Foundation Paper Piecing

• a legal copy of your chosen FPP pattern,
• printer and ordinary printer paper or foundation paper,
• quilting cotton scraps or yardage,
• sewing machine,
• coordinating thread,
• rotary cutter,
• cutting mat,
• quilting ruler,
• small fabric scissors,
• and an iron or pressing tool.

Print Paper Piecing Templates at the Correct Scale

FPP templates must be printed at their intended size.

Before printing an entire pattern, check the designer's test square or stated dimensions.

Avoid settings such as:

• Fit to Page,
• Shrink to Fit,
• or automatic scaling.

Unless the designer specifies otherwise, paper-piecing templates are normally printed at 100% / Actual Size.

Color-Code Complex Paper Piecing Sections

Star patterns can include several fabrics within a single foundation section.

Before sewing, use colored pencils or simple symbols on the paper template to mark which fabric belongs in each position.

A few seconds of preparation can prevent accidentally sewing a blue fabric where a yellow or background piece belongs.

Choose Fabrics with Strong Contrast

Cath's Boston blocks used the requested blue, yellow, gray and white palette.

Within a limited color scheme, value contrast becomes especially important.

Try combining:

• deep navy with pale gray,
• bright yellow with white,
• medium blue with dark navy,
• and printed fabrics with solid or low-volume backgrounds.

Step 1: Prepare the Foundation Sections

Print the number of template sections required by your chosen pattern.

Cut roughly around each foundation while leaving enough paper outside the final seam line.

Do not trim precisely to the finished block edge yet.

Step 2: Start with Piece Number 1

Foundation paper piecing begins with the first numbered fabric piece.

Place the fabric on the unprinted side of the paper so it completely covers the first area plus the surrounding seam allowance.

The right side of the fabric faces away from the paper.

Step 3: Position the Second Fabric

Place the second fabric right sides together with the first.

Make sure it extends far enough beyond the next printed section to cover the entire shape after it is flipped open.

This is one of the most common places beginners make mistakes, so test the fold before sewing.

Step 4: Sew on the Printed Line

Turn the foundation over and sew directly along the printed line between sections 1 and 2.

A slightly shorter stitch length can make the paper easier to remove at the end.

Begin and end just beyond the marked seam line when the pattern instructions call for it.

Step 5: Trim the Seam Allowance

Fold the paper away from the newly sewn line and trim the fabric seam allowance to approximately ¼ inch.

An Add-A-Quarter-style ruler is useful, but an ordinary quilting ruler can also work.

Step 6: Press the Fabric Open

Flip the second fabric into its final position and press it flat.

Make sure the new piece completely covers its numbered section before sewing the next seam.

Repeat in Numerical Order

Continue adding fabrics one by one according to the numbering printed on the foundation.

For every new piece:

1. check that the fabric is large enough,
2. position it right sides together,
3. sew along the printed line,
4. trim the seam allowance,
5. flip the fabric open,
6. and press before continuing.

Use Larger Scraps Than You Think You Need

FPP can feel backwards at first because the fabric is placed on the opposite side of the paper from the printed design.

A fabric piece that appears large enough before sewing may not cover the complete shape after it is flipped.

Beginners usually have an easier time using slightly oversized scraps and trimming the excess afterward.

Trim Each Completed Foundation Section

Once every numbered area has been covered, trim the section along the pattern's outside cutting line.

Do not accidentally cut on the finished seam line if the template includes an outer seam allowance.

Assemble the Star Sections

Cath's first Boston star was made from eight triangular sections.

A star constructed this way is easier to manage when the sections are first joined into pairs and then into larger groups.

Match important points carefully before sewing.

Keep the Paper in Place During Section Assembly

Leaving the paper foundation attached while joining major sections can help prevent the angled edges from stretching.

Follow the instructions supplied by the pattern designer regarding when to remove the paper.

Match the Star Center First

When several paper-pieced sections meet at the middle of a star, align and pin the central intersection before matching the outside edges. The center is usually the point your eye notices first.

Remove the Paper Carefully

Once the block is stable and the pattern instructions allow removal, gently tear the paper away from the stitches.

Work from the outside toward smaller internal sections.

Supporting the stitches with one hand can prevent seams from being pulled out while stubborn pieces of paper are removed.

Press the Finished Star Block

Give the complete block a final press after the paper has been removed.

Check that it lies flat and that the outside dimensions match the intended unfinished size before adding it to a quilt.

Common Foundation Paper Piecing Mistakes

Printing at the Wrong Scale

Always verify the test measurement before sewing.

Using Fabric That Is Too Small

Check that the fabric will cover the complete section after it is flipped.

Sewing Fabrics in the Wrong Order

Follow the foundation numbering rather than sewing pieces according to visual position.

Forgetting the Seam Allowance

Trim to the template's outside cutting line rather than the finished block line.

Removing Paper Too Early

Keeping the foundation attached can stabilize angled edges while major sections are joined.

Mixing Up Similar Star Sections

Lay out all completed sections before sewing and photograph the correct arrangement.

Ideas for Using Paper Pieced Star Blocks Today

Although Cath's blocks were made for a specific 2013 charity project, similar FPP stars can be used in many modern projects:

• sampler quilts,
• star-themed wall hangings,
• quilted cushion covers,
• table runners,
• mini quilts,
• tote bags,
• or a full quilt made from different paper-pieced stars.

More Star Quilt Inspiration

If you enjoy geometric star blocks, explore our Broken Star Quilt Block Tutorial for another design with dramatic points and section-based construction.

For a larger traditional star project, see our Carpenter’s Wheel Quilt Free Pattern .

You may also enjoy our Starburst Quilt Tutorial for another bold star design with strong geometric movement.

Foundation Paper Piecing FAQ

Who made the featured Quilting for Boston blocks?

The featured star blocks were made by Cath Hall of Wombat Quilts.

What patterns did Cath use?

Cath used two designs from Elizabeth's Lucky Stars Block of the Month paper-piecing series.

Were the Lucky Stars patterns free?

No. Lucky Stars was originally a paid Block of the Month program. Subscribers received PDF star patterns throughout the year.

What sizes did Lucky Stars include?

The original program supplied templates for 6-inch and 12-inch finished star blocks.

Is Quilts for Boston still accepting blocks?

No. This was a historical 2013 project and the original submission deadline was May 24, 2013.

What colors were used for Quilts for Boston?

The Boston Modern Quilt Guild requested blocks using blue, yellow, gray and white.

What is foundation paper piecing best for?

FPP is especially useful for blocks with sharp points, narrow pieces, unusual angles and complex geometric designs that benefit from sewing directly on printed reference lines.

Do I remove the paper after sewing?

Yes. The temporary paper foundation is removed after the block or major sections have been securely assembled, following the pattern designer's instructions.

Read Cath Hall's Original Quilting for Boston Post

Cath's original Wombat Quilts post documents the two star blocks she made for the 2013 Quilts for Boston project and shows the fabric placement and paper-pieced sections used in each star.

Read the Original Quilting for Boston Post →

About the Original Lucky Stars Series

The Lucky Stars Block of the Month was created by Elizabeth of Don't Call Me Betsy as a foundation paper pieced star series with detailed PDF instructions and multiple block sizes.

Read About the Original Lucky Stars Block of the Month →

Project Sources

The featured blocks and original Boston Edition post are by Cath Hall of Wombat Quilts.

The star patterns Cath used came from the Lucky Stars Block of the Month designed by Elizabeth of Don't Call Me Betsy.

The 2013 charity project was organized by the Boston Modern Quilt Guild.

The Quilting Time does not reproduce the Lucky Stars pattern templates. This updated article preserves the historical context and adds general foundation paper piecing technique, troubleshooting and related quilting resources while directing readers to the original sources.

Source availability checked: October 2026.

Happy quilting!

Moonlight Cafe Quilt Tutorial: Easy 80″ × 80″ Layer Cake Quilt

The Moonlight Cafe Quilt is a bold modern geometric design from Missouri Star Quilt Co. that uses 10-inch squares and yardage to create a striking layered-color effect.

The finished quilt measures approximately 80" × 80", making it a generous full-size quilt with a strong contemporary look.

The official video tutorial is presented by Natalie Doan and features Robert Kaufman's Kona Cotton Color of the Year 2025, Nocturne, paired with contrasting pink, blue and light background fabrics.

This guide focuses on the main construction ideas, fabric planning, snowball corners, strip-pieced sections, block layout and finishing tips while directing you to Missouri Star for the official written pattern and original video tutorial.

Moonlight Cafe Quilt at a Glance

Project	Moonlight Cafe Quilt
Designer / Source	Missouri Star Quilt Co.
Video Instructor	Natalie Doan
Finished Size	Approximately 80" × 80"
Main Precut	10" squares
Main Techniques	Strip piecing, snowball corners, chain piecing and block assembly
Layout	16 blocks in a 4 × 4 arrangement
Written Pattern	Paid Missouri Star pattern
Video Tutorial	Free
Source Checked	October 2026

What Makes the Moonlight Cafe Quilt Special?

Moonlight Cafe creates the illusion that strong geometric bands are crossing over one another.

The effect comes from carefully arranging pink, blue and purple-toned sections against a light background.

The shapes are simple, but the color placement creates a much more sophisticated finished quilt.

The Color-Overlay Effect

One of the most interesting features of the design is the way the magenta and blue sections visually overlap to suggest a deeper purple area.

Missouri Star describes the block as having a hashtag-shaped geometric design, which helps explain the strong interlocking appearance of the finished quilt.

The Written Pattern Is Not Free

Missouri Star currently sells the complete Moonlight Cafe written pattern separately. The video tutorial is free to watch, but use the official pattern for the complete cutting chart and verified fabric quantities.

Choosing Fabrics

Moonlight Cafe works best when the three main color groups remain easy to distinguish from one another and from the background.

The original version uses a palette built around:

• a rich purple such as Kona Nocturne,
• a bright pink or magenta,
• a strong Mediterranean-style blue,
• and a crisp light background.

You Do Not Have to Use the Original Colors

The color-overlay idea can be recreated with many combinations.

Try:

• red + blue + purple,
• yellow + blue + green,
• pink + yellow + orange,
• teal + magenta + violet,
• or three coordinated solids against white.

Strong Solids Make the Geometry Clear

Solid or near-solid fabrics work particularly well because they allow the overlapping shapes to remain visually strong.

Busy prints can still work, but try to keep the value difference clear between the main colors and the background.

Working with 10-Inch Squares

Moonlight Cafe is designed for 10-inch squares plus coordinating yardage.

The existing tutorial version begins by subdividing the 10-inch squares into smaller pieces for the block construction.

Before cutting the entire pack, make one test set and compare it with the official Missouri Star tutorial.

Step 1: Prepare the Main Squares

Press the 10-inch squares before cutting so folds do not affect measurement accuracy.

If cutting several layers at once, keep the stack manageable so your ruler and rotary cutter remain accurate.

Step 2: Prepare the Strip-Pieced Sections

Some of the narrow units are created efficiently from long strips rather than from individual small rectangles.

Sew the contrasting strips together first, press the seam, then subcut the strip set into the required sections.

This saves time and helps repeated units remain consistent.

Why Strip Piecing Helps

Sewing every small rectangle separately would require many additional seams.

Strip piecing lets you create several matching units from one long seam, which is especially useful when making 16 repeated blocks.

Step 3: Create the Snowball Corners

Moonlight Cafe also uses a snowball or stitch-and-flip corner technique.

Place a smaller square right sides together on the corner of a larger square and draw a diagonal guideline.

Sew along the line, trim away the excess fabric while leaving a quarter-inch seam allowance, then press the corner open.

Check One Snowball Unit Before Chain Piecing

After pressing the first corner open, compare it with the original square.

The outside edges should align closely.

If the new triangle extends past the original square or falls noticeably short, adjust your sewing position before making the remaining units.

Step 4: Arrange the Block Before Sewing

Lay out the individual components on a table or design board.

Pay particular attention to the orientation of the snowball corners and colored bands.

The optical effect depends on those sections facing the correct direction.

Photograph the Block Layout

Once the Moonlight Cafe block looks correct, take a quick photo before sewing. The geometric sections can look surprisingly similar when rotated.

Step 5: Sew the Block in Sections

Rather than handling every small piece independently, join neighboring pieces into manageable sections first.

Press each section before joining it to the next.

This makes it easier to maintain straight lines across the geometric design.

Use Chain Piecing for Repeated Blocks

After your first Moonlight Cafe block is correct, repeat the same seam across several blocks at once.

Chain piecing saves thread and reduces the chance of changing the construction sequence from one block to another.

Step 6: Nest Important Seams

Where possible, press neighboring seams in opposite directions so they nest together.

This helps keep the colored bands aligned when the larger sections are joined.

Step 7: Make 16 Blocks

The finished quilt uses 16 blocks.

Complete one test block first, then batch-sew the remaining units after you are confident in the layout and seam allowance.

Step 8: Arrange the Quilt in a 4 × 4 Layout

Place the completed blocks in four rows of four.

Step back and make sure the interlocking bands continue in the intended direction across the entire quilt.

A design wall or clean floor can be especially useful for a quilt of this scale.

Photograph the Full Quilt Layout

Once all 16 blocks are arranged correctly, take a photograph before stacking them.

Label each row and keep the blocks in sewing order.

Step 9: Join the Blocks into Rows

Sew four blocks together for each row.

Press the seams consistently, then join the four completed rows.

Match the major geometric intersections carefully because misalignment is easy to notice in this type of modern design.

Finished Quilt Size

The official Missouri Star Moonlight Cafe pattern finishes at approximately:

80" × 80"

Quilting Ideas for Moonlight Cafe

Straight-Line Quilting

Parallel lines reinforce the strong modern geometry.

Diagonal Crosshatching

Diagonal lines add another layer of movement without competing with the piecing.

Simple Edge-to-Edge Quilting

A subtle all-over design allows the color illusion to remain the visual focus.

Echo the Geometric Bands

Quilt parallel to selected seams to emphasize the interlocking hashtag-style shapes.

Alternative Color Palettes

Ocean Palette

Try turquoise, navy and teal against white.

Sunset Palette

Use coral, red and deep orange on a cream background.

Modern Neutral

Combine black, charcoal and medium gray with white.

Jewel Tones

Use emerald, sapphire and violet against a pale neutral.

Common Moonlight Cafe Mistakes to Avoid

Rotating a Block Section

Keep a reference photo beside your sewing machine during assembly.

Skipping the Test Block

Complete one full block before chain piecing the remaining 15.

Using Too Little Color Contrast

Clear separation between the main colors strengthens the transparency illusion.

Inconsistent Snowball Corners

Check that each pressed corner returns to the original outside edge before trimming or joining units.

Using Unverified Fabric Quantities

Use the current official Missouri Star written pattern or tutorial resources for exact yardage requirements rather than relying on older secondary lists.

More Quilts Using 10-Inch Squares

If you enjoy precut-friendly quilts, explore our Easy Hunter’s Star Quilt Tutorial with Layer Cake Squares .

You may also enjoy our Starburst Quilt Tutorial , another bold geometric project that uses large precut squares.

Moonlight Cafe Quilt FAQ

Who designed the Moonlight Cafe Quilt?

Moonlight Cafe is a Missouri Star Quilt Co. design.

Who presents the official video tutorial?

The official Missouri Star tutorial is associated with Natalie Doan.

What size is the finished quilt?

The official pattern finishes at approximately 80" × 80".

Does Moonlight Cafe use 10-inch squares?

Yes. Missouri Star lists the project as a pattern for 10-inch squares and yardage.

Is the Moonlight Cafe written pattern free?

No. The official written Missouri Star pattern is currently sold separately.

Is there a free video tutorial?

Yes. Missouri Star includes Moonlight Cafe in its quilting tutorial library.

What is the purple fabric used in the featured version?

The original project features Kona Cotton Nocturne, Robert Kaufman's 2025 Color of the Year.

Can I use different colors?

Absolutely. Choose three colors with good visual separation and a contrasting background to maintain the layered geometric effect.

View the Official Moonlight Cafe Pattern

Missouri Star provides the complete written Moonlight Cafe pattern with verified cutting and assembly instructions.

View the Official Moonlight Cafe Quilt Pattern →

Watch the Official Video Tutorial

Keep the original Missouri Star Moonlight Cafe video already linked in this post. It is the best visual reference for cutting, snowball corners, block placement and final assembly.

Pattern & Tutorial Source

Moonlight Cafe Quilt is a Missouri Star Quilt Co. project, with the official video tutorial presented by Natalie Doan.

The Quilting Time does not reproduce the complete commercial pattern. This guide adds fabric-planning ideas, construction tips, troubleshooting, quilting suggestions and related internal resources while directing readers to the original Missouri Star source.

Source availability checked: October 2026.

Happy quilting!

Hexagon Log Cabin Quilt Block Tutorial: Easy 2.5″ Strip Project

The Hexagon Log Cabin Quilt Block puts a fresh geometric twist on the traditional Log Cabin block by building fabric strips around a six-sided center instead of a square.

The original tutorial by Kristen Hubert of Scrap Fabric Love uses 2.5-inch fabric strips, making this an excellent project for jelly roll leftovers and fabric scraps.

Kristen's example begins with a hexagon measuring about 2 inches per side and grows into an approximately 18.5-inch square quilt block.

Even better, the construction requires no Y-seams or partial seams. You simply sew, press and trim strips around the center until the block is large enough to square up.

Hexagon Log Cabin Block at a Glance

Block	Hexagon Log Cabin
Original Tutorial	Kristen Hubert / Scrap Fabric Love
Featured Block Size	Approximately 18.5" square
Starting Hexagon	Approximately 2" sides in the featured example
Strip Width	2.5"
Seam Allowance	¼"
Best For	Jelly roll strips, scraps and large quilt blocks
Y-Seams Required?	No
Skill Level	Beginner-friendly
Source Format	Free online tutorial + video + printable cheat sheet

What Is a Hexagon Log Cabin Quilt Block?

Traditional Log Cabin blocks usually begin with a square and build outward with rectangular fabric strips.

This variation starts with a hexagon, giving you six sides to work around instead of four.

By sewing groups of light and dark strips around the center, you still get the familiar Log Cabin contrast while creating a much more unusual geometric effect.

Supplies You Need

• a hexagon template,
• 2.5" fabric strips,
• rotary cutter,
• cutting mat,
• straight quilting ruler,
• square quilting ruler if available,
• sewing machine,
• coordinating thread,
• and an iron or pressing surface.

Great for Jelly Roll Leftovers

Because the tutorial uses 2.5-inch strips, leftover jelly roll strips work beautifully. You can also cut 2.5-inch strips from scraps already in your fabric stash.

Step 1: Cut the Starting Hexagon

Begin with a small fabric hexagon.

Kristen uses a hexagon with approximately 2-inch sides for the featured 18.5-inch block.

You can cut yours with an acrylic template, cutting die or another reliable hexagon template.

The exact starting size is flexible, but a very large center will reduce the visual Log Cabin effect unless you also make a very large block.

Choose the Center Fabric

The starting hexagon can match:

• your light background fabrics,
• your darker accent fabrics,
• or a completely different focal color.

A strong contrasting center can make the block feel more like a traditional Log Cabin with its classic central focal patch.

Step 2: Sort the Strips into Light and Dark Groups

Divide your 2.5-inch fabric strips into two main value groups:

• light/background strips,
• and dark or colorful accent strips.

You do not need one exact fabric in each group.

Kristen's example mixes low-volume background fabrics with multiple rainbow accent fabrics, which makes this block especially useful for scraps.

Contrast Matters More Than Matching

The fabrics do not need to belong to the same collection.

What matters most is that the light and dark sides remain visually different enough for the Log Cabin structure to appear.

Try viewing your fabric selection in black and white on your phone. If the two groups still look different, the contrast should work well.

Step 3: Sew the First Accent Strip

Place one accent strip right sides together along one edge of the starting hexagon.

The first strip can be around 5 inches long, or simply long enough to extend beyond both ends of the hexagon side.

Sew using a consistent ¼-inch seam allowance.

Step 4: Press and Trim

Open the newly attached strip and press it flat.

Use your straight quilting ruler to continue the neighboring edges of the hexagon and trim away the excess fabric.

This sew-press-trim sequence is the heart of the entire technique.

Step 5: Add the Second Accent Strip

Move to the next side of the hexagon.

Sew another accent strip so it crosses the seam from the first strip.

Press and trim again.

Step 6: Complete Three Accent Sides

Continue around the center until you have added three accent strips.

These three neighboring sides form one dark or colorful half of the Log Cabin design.

Step 7: Add Three Background Strips

Switch to your light/background fabric group.

Add three strips in exactly the same sew, press and trim sequence.

After this stage, all six sides of the original hexagon have been expanded.

Continue Alternating Groups of Three

Return to the accent fabrics for another three sides, then switch back to the background fabrics.

Repeat:

3 accent strips → 3 background strips → repeat

As each round grows, the required fabric strips naturally become longer.

No Need to Pre-Cut Every Strip

One advantage of this method is that you do not need a complicated cutting chart.

Choose a strip slightly longer than the side you are sewing, attach it, then trim the excess afterward.

This makes the block particularly forgiving for irregular scrap lengths.

Save the Trimmed Fabric Pieces

Do not automatically throw away the small offcuts created while trimming.

Many of them are large enough for crumb quilting or another tiny scrap-based project.

Step 8: Check the Growing Block Size

Continue adding strips until the patchwork extends beyond your desired square block size.

A square quilting ruler makes this especially easy because you can place it over the block and immediately see which areas still need fabric.

Step 9: Fill the Corners

As the hexagonal patchwork grows, you eventually reach the point where only the four corners of the final square need additional fabric.

Instead of continuing full rounds, add shorter strips only where needed while maintaining the same light/dark sequence.

Do Not Trim to Square Too Early

Make sure every corner of your desired square block is covered with fabric before making the final trimming cuts.

Step 10: Square Up the Block

Once the patchwork is larger than the block size you want, place a square ruler over the top and trim the outside edges.

Kristen's sample was trimmed to approximately 18.5 inches square.

Centered or Improv?

You have two options when trimming.

Centered Hexagon

Carefully position the original center hexagon in the middle of the square ruler before trimming.

This creates a more symmetrical finished block.

Improv Placement

Simply make sure the entire ruler is covered with fabric and trim the block without centering the hexagon exactly.

This gives the block a more relaxed, improvisational look.

Why This Block Is Beginner-Friendly

Hexagons often make quilters think of Y-seams, English Paper Piecing or more complicated construction.

This block avoids those techniques completely.

Every new strip is attached with an ordinary straight seam, making the method approachable even if you have never pieced hexagons before.

Color Ideas for Hexagon Log Cabin Blocks

Rainbow + Low Volume

Use scrappy rainbow strips on one side and cream or low-volume prints on the other.

Blue and White

Combine several blue scraps with one family of pale backgrounds for a classic look.

Modern Black and White

Use black, charcoal and gray against crisp white for strong geometric contrast.

Christmas Version

Try reds and greens against low-volume holiday prints.

True Scrap-Basket Version

Sort whatever scraps you have into light and dark piles and let the individual fabrics vary from strip to strip.

What Can You Make with One Block?

A large 18.5-inch block can become much more than part of a bed quilt.

• quilted pillow cover,
• mini quilt,
• table mat,
• large potholder,
• wall hanging,
• tote bag panel,
• or the center of a larger medallion quilt.

Making a Full Hexagon Log Cabin Quilt

Make several square blocks, then experiment with rotation before joining them.

Because each block contains a strong light-dark division, rotating the blocks can create secondary zigzags, diamonds and larger geometric patterns.

Common Hexagon Log Cabin Mistakes

Using Fabrics with Too Little Contrast

Separate scraps into clear light and dark groups before sewing.

Cutting Strips Too Short

Make each strip longer than the side being covered so there is enough fabric for trimming.

Skipping Pressing

Press each strip before trimming and attaching the next one.

Stretching the Block While Pressing

Use a lifting motion with the iron rather than dragging it across the patchwork.

Squaring the Block Too Soon

Check that every corner of the final square is covered before trimming.

More Log Cabin and Scrap Quilting Ideas

If you enjoy the Log Cabin construction method, explore our Half Log Cabin Quilt Tutorial .

For another scrap-friendly project made from repeated strips, see our Scrap Fabric Mosaic Quilt Block Tutorial .

You may also enjoy our Log Cabin Quilt Block Guide for a more traditional square Log Cabin construction.

Hexagon Log Cabin Quilt Block FAQ

Who created the featured tutorial?

The original Hexagon Log Cabin tutorial is by Kristen Hubert of Scrap Fabric Love.

What width fabric strips are used?

The tutorial uses 2.5-inch-wide fabric strips.

Can I use jelly roll strips?

Yes. Standard 2.5-inch jelly roll strips are ideal for this block.

What size is the block?

You can make the block in different sizes. Kristen's featured example was trimmed to approximately 18.5 inches square.

How large is the starting hexagon?

The example uses a hexagon with approximately 2-inch sides.

Does this block require Y-seams?

No. The entire block is constructed using ordinary straight seams.

Is this project good for scraps?

Yes. It works especially well with leftover strips approximately 2.5 inches wide.

Is there a free tutorial?

Yes. Scrap Fabric Love provides the full tutorial online with step-by-step photos, a video demonstration and a printable cheat sheet.

View the Original Free Hexagon Log Cabin Tutorial

Kristen Hubert at Scrap Fabric Love provides the complete visual construction, trimming instructions and printable reference for this block.

View the Original Hexagon Log Cabin Tutorial →

Tutorial Source

The featured Hexagon Log Cabin Quilt Block tutorial is by Kristen Hubert of Scrap Fabric Love.

The Quilting Time does not reproduce the original photographs or printable reference. This guide adds fabric-planning ideas, layout suggestions, troubleshooting and related quilting resources while directing readers to the original free tutorial.

Source availability checked: October 2026.

Happy quilting!